Richard Neutra’s Kaufmann House in Palm Springs

Architect Richard Neutra was known for his laser-like focus on the wants of his clients, and faithfully integrating them into his designs. Kaufmann House in Palm Springs was no different.



Kaufmann House, a Faithfully Restored Icon of Modernism, Showcases Richard Neutra’s Enduring Vision Under the Sunny Skies of Palm Springs

In 1953, Richard Neutra’s “Survival Through Design” was published. The book was the architect’s treatise on how design could be a potent catalyst for a heightened human experience—particularly in the realm of our connection with nature. The book had been written by Richard Neutra throughout the 1940s, and many of his ideas no doubt crystallized during work on one of his most important commissions—Kaufmann House.  

The origins of the Palm Springs house date to 1946, the year it was built by Richard Neutra after having been commissioned by Pittsburgh department store businessman Edgar J. Kaufmann Sr. It was to be a winter retreat from his primary residence in Pennsylvania; Kaufmann’s weekend house in Pennsylvania happened to be the splendid Fallingwater, designed by none other than Frank Lloyd Wright.

Significant is that for this commission Kaufmann had selected Richard Neutra, not Frank Lloyd Wright—preferring the former’s open, airy structures that helped inhabitants live in sync with their natural environment. When completed, Kaufmann House stood as a testament to the designer’s architectural premises: a roughly 3,200 square feet dwelling, cleanly articulated in stone, metal, and glass—and planted neatly in the midst of a striking desert landscape. 

Arguably the most exclusive residential listing in the U.S. at the moment, Kaufmann House is represented by Gerard Bisignano of Vista Sotheby’s International Realty, architectural specialist, and South Bay real estate agent.

Gerard Bisignano’s forte is California Modernism, having represented another Richard Neutra—Kilbury House in Palos Verdes Estates—along with homes by Ray Kappe, Thom Mayne, Pierre Koenig and others. “The Kaufmann house really set the pace,” Bisignano points out. “This was just post-World War II and for the time it was ground-breaking.”

Five bedrooms are spread throughout the floor plan, which is assembled in a cross-like shape from which distinct wings span: there are two bedrooms in the guest wing, and another two bedrooms in the service wing. The core of the home holds the dining and living room, both neatly adjacent to the master bedroom—a sunlit retreat that’s fairly enclosed in floor-to-ceiling glass.

Remarkably, given the home’s 1946 vintage, is the absence of a corner post in the master bedroom, a feature that enables two glass doors to meet at a point, as if balanced in space. Slide the glass open, and one’s treated to an instant dose of fresh air, green grass and striking blue of the pool, a few steps away. Throughout Kaufmann House, outdoor living figures largely into the overall design, with fresh-air spaces incorporated side-by-side with interior ones.

The rectangular pool, for instance, is steps from the main living area. It balances the shape of the home, while injecting a refreshing element—water—into the desert palette of rocks and cacti. Head upstairs to the second floor, an open-air space Richard Neutra called the “gloriette.” 

From here one is treated to sweeping desert views, including the grand silhouette of the nearby San Jacinto mountain range. “The gloriette draws you,” says Gerard Bisignano. “It brings the house into an amazing harmony.” 

Working closely with Edgar J. Kaufmann Sr., Neutra created a place wholly dedicated to his clients’ relaxation and leisure. Kaufmann House still serves this purpose, its original sophistication freshly intact by virtue of conscientious ownership. Visiting the home notes Gerard Bisignano, is akin to entering a time machine: “It’s like walking into 1946.”

The history of the home has seen it pass from Kaufmann family ownership to others, including Barry Manilow. Changes were made along the way, disjointing Richard Neutra’s original design and intent. In 1993 Brent Harris and Beth Edwards Harris purchased the home, enlisting Los Angeles restoration architecture firm Marmol Radziner and Associates to undertake a painstakingly accurate restoration of the legacy property. The project, says Gerard Bisignano “ignited the whole Modernism restoration in Southern California, and Palm Springs in particular.” 

Taking five years, the restoration of Kaufmann House was faithful to Richard Neutra, all the way down to the toilets and floors. The aluminum louvers—a distinctive feature of the home the architect initially developed as protection against the wind, which were later adopted as a mainstay of the building industry—remain intact. As do many of the home’s original built-in features, like cabinets designed personally by the architect.

“They even had a mine in Utah re-open, so they could get the original stone that Neutra used back in 1946, as part of the renovation,” says Gerard Bisignano. Notably new to Kaufmann House are updated mechanical aspects (air conditioning, plumbing and the like) and the addition of a pool pavilion—mellow, spacious and ideal for entertaining. 

Sitting on 2-plus acres, Kaufmann House stands out with its clean-cut geometry, while natural materials, notably the Utah stone, keep it connected to the earth. As a foundational piece of American architecture, the home endures as an early and exceptional prototype of Desert Modernism—where the International Style of architecture was transposed to warm settings. Rather than shrink from nature, Desert Modernism embraced it: Inhabitants were freed from indoor-only living, their lives invigorated by sunlit skies and warm days. “For those who appreciate architecture,” Gerard Bisignano says of the house, “it’s like walking into a storybook.” 

In 1947, famed architectural photographer Julius Shulman shot a twilight image of the new home—one of several notable images that memorialized Kaufmann House in the minds of the public. (Rivaling Shulman’s is the colorful 1970 photo by Slim Aarons, Poolside Gossip.) Decades later, in the late 90s, Mr. Harris convinced a then-retired Shulman to come to Palm Springs and re-photograph the newly restored home, this time in color.

Harris shared the images with Gerard Bisignano, who had worked with the couple on two architectural homes in the South Bay. Poring over the images, Bisignano marveled at the fine artistry of the home, and at that moment, his passion for architecture was struck. “I hope to represent many more homes,” he remarks, “but there will never be anything like Kaufmann House.”

Gerard Bisignano | 310.990.4727 | DRE 01116110
Vista Sotheby’s International Realty

List Price: $25,000,000

Color photographs by Daniel Solomon, 2020. Black & White Photographs by Julius Shulman, 1947, 1949. © J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.r.10).


Weave House by The BAD Studio: An Ode to Indian Ikat Patterns

Weave House by The BAD Studio seamlessly blends contemporary design with traditional Indian craftsmanship, creating a harmonious living space inspired by the region's rich textile heritage, the house features an embossed brick and diamond façade reminiscent of Indian ikat patterns. The architecture coexists with the surrounding landscape, offering an organic lifestyle and smooth transitions between indoor and outdoor spaces.
  • November 1, 2023
  • Jenn Thornton

Ludwig Mies van der Rohe: Man of Steel, Bronze & Glass Curtain Walls

Perhaps no one better understood how to positively exploit the potential of technology and engineering than van der Rohe, a founding father of Modernist architecture who was central to the Great Age of the Skyscraper during the 1950s and 1960s—a time when many city landscapes would shift from horizontal to vertical.
  • October 4, 2023
  • Constance Dunn

A Duplex in the Clouds: Inside Barbara Cartategui’s NYC Transformation

Nestled on the 78th and 79th floors of a Tribeca skyscraper, this New York City duplex boasts breathtaking views of the Statue of Liberty and the city skyline. Transformed by Workshop/APD, the interior is a gallery of contemporary art curated by expert art advisor Barbara Cartategui.
  • September 6, 2023
  • Karine Monié

Walter Gropius & the Enduring Legacy of the Bauhaus

In the early 20th century, architect Walter Gropius aimed to harmonize art, technology, and craftsmanship—a vision that birthed the groundbreaking Bauhaus school in 1919. Gropius's call to unite architecture, sculpture, and painting underpinned the school's ethos. Rejecting tradition, the Bauhaus propelled design and art into a new era, embracing functional forms and interdisciplinary collaboration.
  • August 23, 2023
  • Constance Dunn

The Rebirth of Santa Monica’s Iconic Georgian Hotel

The iconic Georgian Hotel in Santa Monica reopened its doors in April, unveiling a stunning transformation led by Fettle Design. With a rich history that hosted Hollywood legends like Marilyn Monroe, the hotel's restoration, guided by BLVD Hospitality, gracefully balances its storied past with modern hospitality.
  • August 23, 2023
  • Karine Monié
Sign Up for DIGS Newsletters