Timeless and filled with natural light through floor to ceiling windows, Le Jardinier restaurant gives one the feeling of being in a modern greenhouse in the heart of New York City
In New York City, Midtown Manhattan, two new hot spots are a feast for both the eyes and the palate. Inaugurated in May, the 62-seat Le Jardinier (French for “gardener”) focuses on high-quality vegetables, seasonal ingredients and fresh herbs. Or, “…the way sophisticated diners are eating globally,” says chef Alain Verzeroli, who is also at the helm of Shun, a contemporary French restaurant with Japanese influences that opened in June and was named for the Japanese culinary tradition that celebrates seasonal food at its peak flavor.
“Shun combines my experiences working in both France and Japan,” explains Verzeroli, a 21-year protégé of renowned French chef Joël Robuchon. “Our aim was to create a luxurious yet minimalist space focusing on the Japanese philosophy of seasonality.”
Nestled in a new luxury condominium tower developed by Aby Rosen and designed by architect Norman Foster, the two dining concepts—which are connected via a monumental marble staircase—feature interiors by French interior designer Joseph Dirand, who has worked on projects such as Loulou, Monsieur Bleu and Le Flandrin in Paris, and the Four Seasons Hotel at The Surf Club and Le Sirenuse restaurant in Miami.
Timeless and filled with natural light through floor to ceiling windows, Le Jardinier gives one the feeling of being in a modern greenhouse in the heart of New York City: The space is adorned with lush vegetation, green marble walls and floors, and vertical louvers. French artisans based in the Big Apple created much of the craftsman’s work throughout. On the second level, Shun’s elegant art deco-inspired spaces comprise a 58-seat dining room and open kitchen; Bar Shun, a cocktail lounge for up to 38 people; and two private dining rooms for a contingent less than half that size.
“In the intimate space upstairs, everything will serve to calm the senses, from the exquisite design by Joseph Dirand and the chosen color palette to the menu and artisanal tableware settings imported from Japan and France,” says Verzeroli.
To that end is a French artist and sculptor Philippe Anthonioz’s white plaster finish on the double-height ceilings, chandeliers and wall sconces, and Dirand’s custom-designed velvet-upholstered banquettes, armchairs, tables, and consoles. The interiors also feature two tones of Alcantara fabrics, three types of bespoke lacquer, Italian ivory marble, dark woods and mirrored glass, all creating a luxurious atmosphere that marries glamour and drama.
While Le Jardinier and Shun are two distinct projects with their own personalities, their refined looks share the same spirit and inextricably link them. Already loved by New Yorkers, the first restaurants in the city for both Verzeroli and Dirand will for sure attract gourmet travelers from all over the world.
Photographs: Courtesy Of Adrien Dirand
